Falseness close to kin
Tim Carpenter
The picture necessarily fails both its maker and its subject matter. As painful as that sounds, it's actually ok: as a new thing in the world, the photograph is not to...
The picture necessarily fails both its maker and its subject matter. As painful as that sounds, it's actually ok: as a new thing in the world, the photograph is not to...
Who better to roam the French capital with than Mark Steinmetz, author of Paris in my time? We started our conversation over breakfast in a bustling café in Montmartre and...
Past experience (the self) and the current moment (the world outside the self) come together in a creative moment that only exists because of our hope, because we realize the...
A moment of unexpected loss is accompanied by a Lucinda Williams song . . . which invokes Vic Chestnut . . . who then summons Wallace Stevens and his "fabulous blackbird...
A couple months after our publication of John Gossage's A Dozen Failures, we talked with John about that title, some of his previous projects, and the history of photobooks running...
I’d always thought of the title of William Eggleston’s The Democratic Forest as a sort of mischevious redundancy. Left to its own devices, a forest is a model of democracy,...
My copy of Beauty in Photography is pretty heavily underlined throughout, and nowhere more than in the title essay. But with all the marks and margin notes I’ve made, there is only...
Books are fun. Music is fun. People are fun (lots). Pictures are fun. Lists are fun. This past year was fun, for the most part. Here are a few things...